Despite its name, the Bayeux Tapestry is not strictly a tapestry. In a true tapestry the design is woven into the fabric on a loom; the Bayeux Tapestry is an embroidery, made by stitching coloured wool onto strips of linen that were then joined together. It is roughly 70 metres long but only about half a metre high, and it tells, in a continuous sequence of scenes, the story of the events leading up to the Norman conquest of England in 1066, including the Battle of Hastings.
Nobody recorded who made it or when. Most historians believe it was commissioned within a few years of the conquest by Odo, Bishop of Bayeux, who was William the Conqueror's half-brother. Odo appears prominently in several scenes, which supports this view. Although the embroidery has been kept in Normandy for most of its known history, many specialists think it was stitched in England, probably in Canterbury, because the style of its figures closely resembles illustrations in manuscripts produced there at the time.
The earliest surviving written reference to it is an inventory of the treasures of Bayeux Cathedral, dated 1476, which records that it was hung around the nave on particular feast days. The end of the work is missing. The surviving embroidery breaks off with scenes of the English fleeing the battlefield, and some scholars suspect that the lost final section went on to show William's coronation, which took place on Christmas Day 1066, about ten weeks after the battle.
The tapestry is sometimes treated as a straightforward record of what happened, but it tells the story from a Norman point of view. It shows Harold Godwinson swearing an oath to William before taking the English crown himself, so that Harold's coronation appears as a betrayal; accounts written from the English side present Harold's claim more sympathetically. Even so, historians value the work highly for its incidental details of clothing, ships, weapons, buildings and food preparation, which few other sources from the period show so fully.